Den Tredje Akt

Min, eller rettere «vår», bok nummer 3 har eg kalt; Den Tredje Akt, og handler om korleis det er å være innenfor, og videre oppleves å falle utenfor, dei rammebetingelsene som samfunnet har satt som mal for korleis ett individ skal tenke, virke og videre innunde seg.. for så å få rett til dei godene det såkalte fellesskapet tilbyr. Dette er Den Første Akt

Faller ein så utenfor denne malen av rammebetingelser som lydighetsmodellen krever, er ein kommet i Den Andre Akt.

Når individet til slutt skjønner at alt innenfor rammebetingelsene er kun ein skremselspropaganda for konsekvens ved ikkje adlyde modellen, der modellen er ein iscensatt forestilling med regisert rollespel av vinnere og tapere, da blir sannhetens øyeblikk skiftet som vekker mennesket fra illusjonen om å være adskilt, til å akseptere seg som kun likeverdig med resten av skaperverket.

I det øyblikket ein ser sannhetens lys, åpnes igjen kommunikasjonen med Guds sanne og ubetinga kjærlighetskraft, og ein begynner igjen å aksepterer og aktivere sin plass i det kosmiske samspel og sirkel. Den Tredje Akt.

Dette er dei tre aktene som blei gitt til meg av Gud for å dele i denne krevende tid av oppvaking og erkjennelse av vår opprinnelse og Guddommelige tlhørighet.

Blue Tide

With my 25th album, Blue Tide, that is a complete instrumental, I have followed the magic of the intuitive and the impulsive, where the imprints from cultivated thinking did not catch up. The project started from a moody blue feeling one evening, where I said out load with my guitar in my hands; "I don't think I have it anymore". Next experience was like God replied; "So you don't?.. we'll see about that"! And like magic was dropped down on me, new and original ideas popped in one by one.

Next day I went through the video that my loved one Kari had recorded from this happening, and this strong blue light brightened up through the windows on the recording.

This could be a nice cover for an album I thought, and from there I was lightfully guided through the recording sessions in my studio, that happened naturally impulsive and without no boundaries or limitations from the ego-control perspective. Only pure creativity from the source of music was guided through my hands, that followed the inputs willingly and trustfully.

After six weeks from the beginning of August to mid September 2024, 11 pieces of beautiful new guitar-instrumental music was recorded, with rhythm guitars, bass guitars and solo guitars. A half year later, after editing was done in also felt as guided moments, I began to record keyboard sounds and sometimes B3 organ on different tracks. Since my son Kenneth was occupied, I hired the Portuguese session drummer Nuno Oliveira that lives in London, who did a remarkable good job!

For me, this project is showing the way of God. How the essence of Love still works through those who are blessed with a humble heart and attitude. God love to surprise those who have accepted in fully to be an instrument for divine creativity based on enthusiastic and inspirational Love. The album also marks, by each song title, a sentence that tell how the humanly cultivated mind is limited compared to the essence of God.. whom guides so surprisingly original and beautiful when the receiver is open and not competitive, but in trust and in love with the source that creates.

All music is written, arranged, produced and mixed by me Rey Larsen, where I also are playing all instruments. Except for drums on the four first tracks, played by Sindre Bakkåker, and Shane Fontayne who is playing electric guitars and mix on Nothing Works But Love.

Into The Light And On

This is my album number 24, where also this one is recorded in my own studio. Half of the songs are ones that has been waiting for a place in my musical library, all back from the eighties and on. Tracks nr. 1-3-7-9-10-11 is new songs.

It is a concept album trying to reflect the issus how we are culturally dressed to loose our lights during cultivation, and how this moment in history is at a pivotal point where humanity is pressed to wake up from their scars of self-denial and refine and cherish their inner cosmic light of love.

The flower from the Malva sylvesttis I photographed is used on the cover to symbolize the purity and the beauty from the wonders of creation. As a metaphor and portal into the Holy Spirit’s laws of size, where every creation is equally valued, and has its own remarkable place and diversity in the oneness of life.